Cued Recall of Paired Associates with Open-Loop Stimulation at Encoding or Retrieval
…There is no stimulation during the distractor phase. Stimulation is delivered to…
- Participants
- 20
- Size
- 26.3 GB
- Version
- v1.0.0
- Updated
- Jul 10, 2026
100 results for "auditory stimulation" · page 8 of 10 · ranked by relevance
…There is no stimulation during the distractor phase. Stimulation is delivered to…
…Theta-synchronized Stimulation of Human Hippocampal Networks ## Information This folder contains intracranial…
This dataset comprises unprocessed EEG recordings from 31 healthy adult participants (age 18-66, 18 female) listening to 40 music clips of 12 s duration each of varying emotional content. The study investigates neural correlates of music-induced emotion through six runs of EEG recordings, including resting-state baseline and four music listening runs. Data were collected at 1 kHz sampling rate and are accompanied by participants' self-reported emotional responses, providing a resource for studying the relationship between brain activity and affective music perception. The musical stimuli were excerpts from film scores selected from Eerola & Vuoskoski (2010).
…There is no stimulation during the retrieval phase. Stimulation is delivered to…
…The stimulation had a duration of 200 microseconds, was biphasic and had…
…Participants received all 9 stimulation types in Experiment 1, with each session…
…Decoding auditory attention to instruments in polyphonic music using single-trial EEG…
…Each recording contains 90 seconds of dual-channel iEEG around each stimulation…
…passive auditory oddball task, control condition, run begin 105 - passive auditory oddball…
This dataset contains electroencephalogram (EEG), galvanic skin response (GSR), and electrocardiogram (ECG) recordings from 17 healthy participants during an affective music brain-computer interface training study. Participants listened to 40-second music clips (20s per emotional state) designed to induce specific emotional states across three sessions, with self-reported valence and arousal ratings. The data supports the development and validation of music-based brain-computer interfaces for monitoring and inducing affective states. This is the training session dataset; two additional datasets cover system calibration and online real-time control phases.